Appendix I The Riddle of the Vedas - Page 144

z:\ ambedkar\vol 04\vol4 04.indd MK SJ YS 23 9 2013/YS 8 11 2013 133

APPENDIX I 133

Here we have eleven different explanations regarding the origin of the Vedas—(1) as originating from the mystical sacrifice of Purusha, (2) as resting on Skambha (3) as cut of scrapped off from him, as being his hair, and his mouth, (4) as springing from Indra, (5) as produced from Time, (6) as produced from Agni, Vayu and Surya, (7) as springing from Prajapati, and the Waters, (8) as being the breath of Brahma, (9) as being dug by the Gods out of the mind-ocean, (10) as being the hair of Prajapati’s beard and (11) as being the Offspring of Vach.

This bewildering multiplicity of answers to a simple question is a riddle. The writers who have come forward to furnish these answers are all Brahmins. They belong to the same Vaidic School of thought. They alone were the guardians of the ancient religious lore. Why should such a coherent body of scholars should have given such incoherent and chaotic answers to a very simple question?

II

Who is the author of the Vedas? The belief of the Hindus is that the Vedas are supernatural productions. To use the technical term the Vedas are Apaurusheya i.e. made by a non-human agency.

What is the evidence in support of this dogma? Among the Ancient Sanskrit literature there is a class of works called Anukramanis. They are systematic indices to various portions of the Ancient Vedic literature. Every Veda has an Anukramani, sometimes more than one Anukramani. Seven Anukramanis for the Rig-Veda are known to be in existence, five by Shaunaka, one by Katyayana and one by an unknown author. For the Yajur-Veda there exist three Anukramanis, one for each of the three Shakhas, Atreyi, Charayaniyas, and Madhyandina. For the SamVeda there are two Anukramanis, one is called Arsheya-Brahmana and the other is known by the name Parishistas. One Anukramani to the Atharya-Veda is known to exist. Its title is Brihat-Sarvanukramani.

The most perfect Anukramani according to Prof. Max-Muller is Katyayana’s Sarvanukramani to the Rig-Veda. Its importance lies in the fact that it gives (1) the first words of each hymn, (2) the number of verses, (3) the name and the family of the Rishi who composed it,

(4) the names of the deities and (5) the metres of every verse. What emerges from a reference to the Sarvanukramani is that the Rishis are the Authors of the hymns which make up the Rig-Veda. The Rig-Veda therefore on the evidence of the Anukramani cannot but be regarded as a man-made work. The same must be the conclusion regarding the other Vedas.